Tamasha Review- An exquisite narrative
A rather inspiring drama revolving around the truth of life, love and the corporate world; Tamasha is one movie that holds the power to change your...read more
A rather inspiring drama revolving around the truth of life, love and the corporate world; Tamasha is one movie that holds the power to change your thoughts about life and work.
With Ranbir Kapoor and Deepika Padukone as the male leads,; the movie is essentially the life story of Ved (Ranbir Kapoor) and portrays his journey of being a typical corporate slave to following an untraditional career, story telling. It also depicts both of their love story which survives and succeeds despite all the destitution they faced. The movie flows in a series of flashbacks and imaginative titles for each phase to come across as artsy and poetic.
One enters this winsome 'Tamasha' with a stimulating and intoxicating meeting of Ved and Tara (Deepika Padukone) in Corsica, where both are accidentally holidaying at the same time. There's French streets, alluring sea side drives, musical parades and an appealing chemistry bubbling up between Ved and Tara in this part of the movie to keep you on your toes. Both are at their spontaneous best in exploring the town and while doing that; are clearly falling for each other. Interestingly enough; they decide not to keep track of each other or have any contact with each other as, apparently, what happens between them on the holiday ends with the holiday itself. This is where it can be pointed out that the script is well written in terms of keeping the audience glued to the storyline and also curious as to what is going to happen next.
Further on in the movie, we see how Tara continues on with her life which is shown as slow and agonizing which in turn shows how deep inside she still is thinking about her profound admiration for her long lost friend and lover, Ved.
The gripping music of the movie; as composed by the one and only AR Rahman; is bonafide, new age and very well-fitting to the overall theme and depiction.
Ved, on the other hand is a complete opposite of what he was in Corsica: he's become something that he isn't. He's a boring workaholic now who lives a typical life: not the man who Tara fell for.
Four years pass and soon enough, Tara and Ved bump into each other at a random cafeteria and life brings them on the same page once again. The fault in their 'taras'? Yes sure.
Their love flourishes once again in this now-set-in-urban romance.
Shown as highly typical and monotonous, both are living the 'ideal' life of repetitiveness and mediocrity. In spite of that, the audience is swayed into believing that this is where it ends as everything looks so sickly perfect but is actually not, basically the entire essence of the movie.
Everything is going proper until one day, Ved proposes to Tara for marriage and she ruminatively refuses; telling him how he's not the Ved she met first in Corsica anymore.
Life, hereon, starts to take a toll on Ved. His mind is twisted and he can't understand why, even after doing so much and finally having become the 'ideal man', he is unaccepted by his own lover. Excellently played by Ranbir Kapoor, Ved starts to lose track of things, life and mind. Every scene is highly symbolic, meaningful and relatable. The flashbacks here show how Ved had been struggling all his life trying to match the level of the perfect urban man, how he was at his original best in Corsica with initially a stranger, Tara and how, now he is something which is everything but his true self. This part of the movie is evolving, emotional and will take the watcher on a journey of an invoked thinking about the self. Ved has aching issues with himself, Tara and everyone around him. He starts to become a mad-man. He's fired from his job for misbehaving with his boss, he talks as if his mind is on a clumsy fire and deep inside he craves both Tara and his true self back. He cannot figure out what to do and how to go about his hollow life now.
He roams around on the streets and is shown talking to a specific auto driver who tends to invoke him into thinking about his true passion. This part of the movie is immensely heart touching. He's also shown telling his own story, in his corporate clothes, with all of his passion and skills to a bunch of people his age on a shady street at night. The people are mostly corporate workers and find Ved's storytelling extremely amusing and his story, fairly relatable.
Finally, indecisive about his life now, Ved puts a foot forward to facing his family in Shimla which consists of his strict father and an emotional and soft mother.
He braves his own self and describes to them his life's situation in the form of a story. He also visits the story teller who used to fascinate him as a kid and his mind finally seems to have found out a way. The cinematography in all the scenes set in Shimla is the perfect mix of absurdly artistic and pragmatic in a way.
Things seem to be very much clear to Ved now and after such a long period of struggle, he can see the way at last.
Towards the end, Ved becomes an established story teller and is now a free-spirited man who loves his uncertain and creative work. He also finds Tara and asks her, once again, to marry him as he owes all his life and passion to her alone.
All in all, Tamasha is just the movie an artist or a creative thinker needs in life to understand how we have only one life and we need to essentially do what we love in order to love what we do. But again, though it is a good thing, the same thing is also a limiting factor for the movie. Not all people will seem to like it and understand it the same way certain parts of the population would.
Moreover, Deepika's character in the movie, in contrast to Ranbir's character, is completely stagnant and shows no progress. This part about the movie can be called somewhat anti-feminist.
All in all, though, director Imtiaz Ali has done a blissful job with one of his best works till date, Tamasha, while keeping up with his accustomed job of delivering a worthwhile story to his much admiral audience.
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